With movies like The Silence of the Lambs, it’s the psychopathy of the characters, as well as Dr Lecter’s psychological manipulation, that provide the thrills, whereas Christopher Nolan’s Memento relies on more traditional plot twists. In these films, the mental state of the characters sways like a ship in a storm, be it through unreliable narration, the distortion of reality or existentialism. See it, then, as a sub-genre, one that, instead of action or tension, hinges on the psychological disposition of its characters. Rather, the former is a broad genre in which the latter resides. ![]() What differentiates a regular thriller from a psychological thriller? Not much, actually.
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